As typeface designs are generally not legally protected unlike their names, which can be trademarked , [93] several alternative digitisations inspired by Akzidenz-Grotesk have been released under alternative names. Retrieved 23 February Berthold released its own family in this style, Berthold-Grotesk. Capitals in several weights have very noticeably thicker strokes than the lower-case. A View of Type Design. The Typography of Press Advertisement. Retrieved 26 June
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Identifont - Akzidenz-Grotesk Extended
Views Read Edit View history. Berthold sued Target Corporation for copyright infringement and breach of contract inalleging that Target had asked a design firm to use the font in a promotional video without a license.
Graphic Design and the Soul". Aside from the subtle differences in these individual letters, Miedinger's primary change to Akzidenz-Grotesk is Helvetica's higher x-height, the distance from the baseline to the height of the lowercase letter xand the consistently horizontal terminals.
Akzidenz-Grotesk® Pro+ Extended (WGL)
University of Reading archived. Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a akzidenz-gritesk of general-purpose, unadorned sans serif types known as "grotesques" that had become dominant in German printing during the nineteenth century, and became one of the most popular examples of this style.
The current holder of the Berthold rights is Berthold Types of Chicago, following the bankruptcy of H. Archived from the original on 28 June Digital Typefaces Inspired by the Past. All the many imitations of Accidenz-Grotesk have not matched its character.
A View of Type Design. The capitals are wide and have akzidehz-grotesk little variation in width, with letters like 'E' and 'F' quite wide. From Wikipedia, the free encyclopedia. Retrieved 27 February Designed after Helvetica had become popular, it incorporates some of its features, such as strike-through tail in 'Q', a curved tail for the berthole, horizontal and vertical cut stroke terminators. Retrieved 27 December McLean, Ruari ; Kinross, Robin eds.
Archived from the original on 19 January Like most grotesque sans-serifs, Akzidenz-Grotesk's slanted form is an oblique rather than a true italic. Retrieved 28 November While this was akzidenz-grotrsk for posters, by the s hot metal typesetting machines had become the main system for printing general-purpose body text, and for this system Akzidenz-Grotesk was unavailable until around[f] akzidenz-groteskk it was first sold on Linotype and then in on Intertype systems.
Berthold Akzidenz Grotesk Bold Extended
However, during this period there was amzidenz-grotesk interest in using sans-serifs as capturing the spirit of the time, most famously, Jan Tschichold 's influential book Die Neue Typographie berthokd, which praised the aesthetic qualities of the "anonymous" sans-serifs of the nineteenth century and was printed in a sans-serif extenddd to Berthold's Akzidenz-Grotesk.
Retrieved 1 March Paul Shaw Letter Design blog. Archived from the original PDF on While apparently not unpopular, Akzidenz-Grotesk was not among the most intensively-marketed typefaces of the period, and was not even particularly aggressively marketed by Berthold.
Architektur und Typografie im The 'J' has a top bar, the 'M' centre does not descend to the baseline and the 'G' and 'R' are simplified in the manner of Futura.
According to Paul Shaw, "exactly when Amsterdam Continental began importing Standard is unclear but it appears on several record album covers as early as The essential characteristics of this type have not been fully worked out: Archived from the original on 30 March Retrieved 1 October The influences, sources and engravers of Akzidenz-Grotesk are not fully known, although it descends from a school of general-purpose sans-serifs cut in the nineteenth century.
On the grotesque revival, written in Retrieved 26 June In the late s and early s, Akzidenz-Grotesk was used heavily on The Weather Channel 's on-screen graphics.
Stefan George istMelchior Lechtor gestorben.
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